{"id":4150,"date":"2019-07-10T19:11:29","date_gmt":"2019-07-10T19:11:29","guid":{"rendered":"http:\/\/widezine.net\/teste\/?p=315"},"modified":"2026-05-29T12:35:55","modified_gmt":"2026-05-29T04:35:55","slug":"irix-cine-150mm-t3-0-macro","status":"publish","type":"post","link":"https:\/\/widezine.net\/zh\/news\/irix-cine-150mm-t3-0-macro\/","title":{"rendered":"Irix Cine 150mm T3.0 Macro 1:1 Announced"},"content":{"rendered":"
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Irix is a recent name in the industry, a company known, since 2016, for its lenses for photography, solutions carving a niche, with three lenses, 11 f\/4.0,  15mm f\/2.4 and a 150mm f\/2.8 Macro 1:1. Besides those products, the company also has a lens designed to be used in a satellite, the Irix 300SR satellite lens, which this month made it all the way up to the International Space Station.<\/div>\n\n\n\n
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The Irix Cine 150mm T3.0 Macro 1:1, though, is a product to be used on planet Earth, and it\u2019s not difficult to see its origins: the optical system is based on the ame optical layout used in the Irix 150mm f\/2.8 Macro 1:1 mentioned above.<\/div>\n\n\n\n
The Irix Cine 150mm T3.0 Macro 1:1 is the first lens in a new line of full frame sensor cine lenses, ready for 8K UHD. It\u2019s complex optical system is based on the same optical layout used in the Irix 150mm f\/2.8 Macro 1:1. The lens consists of 12 optical elements arranged in 9 groups, four of which are high refractive index (HR) glass, and three low-dispersion glass (ED).<\/div>\n\n\n\n
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Ready for 8K UHD filmmaking<\/h4>\n

Irix claim their new lens is ready for the new generation of 8K capable cine cameras. The 150mm full-frame optic consists of 12 elements in 9 groups, 4 of which are HR (high refractive index) glass, and 3 of which are low-dispersion (ED) glass.<\/p>\n

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Available in different mounts<\/h4>\n

Due to the presence of these elements, this lens offers, says the company, superb high resolution, nearly zero chromatic aberration and has almost no visible distortion (as low as 0,1%). The optical system is equipped with an internal focusing system. The lens was designed to have as little breathing as possible.<\/p>\n

Irix<\/a> does not have much information available on its website at the moment, but some of the other specifications that make the Irix 150mm f\/2.8 Macro 1:1 a lens to consider for photography have, one expects, made it to the Cine version. While the original lens was designed for full-frame high-resolution DSLR cameras, including Canon EF, Nikon F and Pentax K mount, the Cine version will be available in Canon EF, Sony E, MFT and PL mount,  a solution pointing to what the company will offer in future lenses in the Irix Cine lens family.<\/p>\n

Irix Cine 150mm T3.0 Macro 1:1 at a glance:<\/p>\n<\/div>\n\n\n\n

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  • 11 rounded aperture blades<\/li>\n
  • 12 optical elements in 9 groups (4 HR and 3 ED lenses)<\/li>\n
  • Internal Focusing -MST focusing mechanism -Sealed in 5 crucial points<\/li>\n
  • Rear element in a fixed position (anti-dust protection)<\/li>\n
  • Detachable and reversible lens hood<\/li>\n
  • Lens hood with magnetic lock<\/li>\n
  • MMS \u2013 magnetic mount system (patent pending)<\/li>\n
  • Standardized 0.8 pitch mod cine gears<\/li>\n
  • 86mm front filter thread -95MM standardized front diameter for cine accessories<\/li>\n
  • Precise laser engraved markings filled with UV reactive paint<\/li>\n
  • Lens support with 1\/4\u2033 thread<\/li>\n
  • Two-position detachable lens support<\/li>\n
  • adaptive ring for follow focus system (patent pending)<\/li>\n
  • Focus ring with 270\u00b0 focus throw available with metric or imperial units<\/li>\n
  • Aperture ring rotation 75\u00b0<\/li>\n<\/ul>\n<\/div>","protected":false},"excerpt":{"rendered":"

    Irix is a recent name in the industry, a company known, since 2016, for its lenses for photography, solutions carving a niche, with three lenses, 11 f\/4.0,  15mm f\/2.4 and a 150mm f\/2.8 Macro 1:1. Besides those products, the company also has a lens designed to be used in a satellite, the Irix 300SR satellite lens, which […]<\/p>","protected":false},"author":2,"featured_media":4828,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-4150","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","post_format-post-format-video"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/posts\/4150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/comments?post=4150"}],"version-history":[{"count":3,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/posts\/4150\/revisions"}],"predecessor-version":[{"id":5699,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/posts\/4150\/revisions\/5699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/media\/4828"}],"wp:attachment":[{"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/media?parent=4150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/categories?post=4150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/widezine.net\/zh\/wp-json\/wp\/v2\/tags?post=4150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}