{"id":124,"date":"2019-01-23T12:09:47","date_gmt":"2019-01-23T12:09:47","guid":{"rendered":"http:\/\/widezine.net\/teste\/?p=124"},"modified":"2026-05-30T10:39:48","modified_gmt":"2026-05-30T02:39:48","slug":"free-training-8-hours-of-free-expert-training-on-every-aspect-of-davinci-resolve-15","status":"publish","type":"post","link":"https:\/\/widezine.net\/zh_hk\/news\/free-training-8-hours-of-free-expert-training-on-every-aspect-of-davinci-resolve-15\/","title":{"rendered":"Free Training DaVinci Resolve 15"},"content":{"rendered":"<p class=\"wp-block-paragraph\">DaVinci Resolve is&nbsp;<a href=\"https:\/\/www.blackmagicdesign.com\/products\/davinciresolve\/\" target=\"_blank\" rel=\"noopener noreferrer\">a beast of a program<\/a>. In a few short years it\u2019s gone from a high-end colour grading hardware and software solution that was attainable only for top colorists working in expensive suites, to a free application anyone can download and use, on relatively affordable hardware.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the time of writing&nbsp;<a href=\"https:\/\/www.blackmagicdesign.com\/support\/\" target=\"_blank\" rel=\"noopener noreferrer\">the latest update to DaVinci Resolve was version 15.2.2<\/a>&nbsp;on the 13th December 2018.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"What&amp;apos;s New in DaVinci Resolve 15.2\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/h8lo7mWq978?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">DaVinci Resolve 15.2 came with a huge number of improvements and new features,&nbsp;<a href=\"https:\/\/www.blackmagicdesign.com\/support\/readme\/c37a361052724eb8a331971f3f41291a\" target=\"_blank\" rel=\"noopener noreferrer\">which you can read about in full here<\/a>. Subsequently 15.2.2 introduced a slew of bug fixes and stability performances.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Notable new features in 15.2 include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Improved Edit timeline performance and responsiveness<\/li>\n\n\n\n<li>A visual keyboard customization utility to find, add and modify shortcuts<\/li>\n\n\n\n<li>Per-module customizable shortcuts, including module specific actions and context menus<\/li>\n\n\n\n<li>Displaying duplicate frame ranges for clips on the timeline on the Edit page<\/li>\n\n\n\n<li>Cleaning up and flattening video tracks on the Edit timeline<\/li>\n\n\n\n<li>ResolveFX Beauty in DaVinci Resolve Studio<\/li>\n\n\n\n<li>ResolveFX Blanking Fill for portrait videos<\/li>\n\n\n\n<li>FairlightFX Multiband Compressor<\/li>\n\n\n\n<li>FairlightFX Stereo Fixer<\/li>\n\n\n\n<li>Decoding Panasonic 8K SHV clips in DaVinci Resolve Studio<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">This is really only the tip of the iceberg so&nbsp;<a href=\"https:\/\/www.blackmagicdesign.com\/support\/readme\/c37a361052724eb8a331971f3f41291a\" target=\"_blank\" rel=\"noopener noreferrer\">be sure to check out the full release notes here<\/a>&nbsp;if you want to read through the finer details.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Learn to Edit, Mix, Grade and Finish in DaVinci Resolve 15<\/h2>\n\n\n\n<div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Paul Saccone, senior director of marketing for Blackmagic Design, delivers a 45 minute introduction to editing in DaVinci Resolve 15. Use the timestamps below to jump through the content.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s also worth noting that you can&nbsp;<a href=\"http:\/\/bmd.link\/YAHwza\" target=\"_blank\" rel=\"noopener\">download the project and media used in this training video for free<\/a>&nbsp;from Blackmagic Design, to follow along with at home.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>00:22\u00a0Create new project and import media<\/li>\n\n\n\n<li>01:19\u00a0Navigate interface<\/li>\n\n\n\n<li>02:28\u00a0Organise media pool<\/li>\n\n\n\n<li>03:14\u00a0Add media to timeline<\/li>\n\n\n\n<li>13:10\u00a0Insert and overwrite edits<\/li>\n\n\n\n<li>16:35\u00a0Trim media<\/li>\n\n\n\n<li>22:13\u00a0Add transitions<\/li>\n\n\n\n<li>25:56\u00a0Refine audio levels<\/li>\n\n\n\n<li>32:45\u00a0Retime media<\/li>\n\n\n\n<li>35:51\u00a0Animate with keyframes and apply FX<\/li>\n\n\n\n<li>42:04\u00a0Create custom titles<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/oEuFP7U7tB8\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sherwin, a certified DaVinci Resolve trainer, gives you a dedicated 20 minute tutorial on making the most of the Media page and how to organise your footage, sync dailies and add valuable metadata.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>0:38\u00a0Navigating the Interface<\/li>\n\n\n\n<li>2:33\u00a0Importing Media and Creating Bins<\/li>\n\n\n\n<li>4:18\u00a0View Options: Thumbnail or List View<\/li>\n\n\n\n<li>5:35\u00a0Renaming Clips and Setting Poster Frames<\/li>\n\n\n\n<li>7:57\u00a0Manually Syncing Footage<\/li>\n\n\n\n<li>9:57\u00a0AutoSync<\/li>\n\n\n\n<li>12:44\u00a0Metadata Panel<\/li>\n\n\n\n<li>13:33\u00a0Tagging Clips with Metadata<\/li>\n\n\n\n<li>14:55\u00a0Creating and Using Smart Bins<\/li>\n\n\n\n<li>16:46\u00a0Using Metadata to Batch Rename Clips<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 -  Managing Media\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/d0J_vr2xOJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Daria O. Fissoun is a&nbsp;<a href=\"http:\/\/goatseyeview.co.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\">London based colorist and trainer<\/a>, who has an excellent teaching style with a succinct and straightforward delivery which makes her easy to follow.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this half hour tutorial she walks you through the details of the using the Delivery page to create dailies, add burn-ins and other useful tasks.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>00:08\u00a0Deliver page navigation<\/li>\n\n\n\n<li>04:18\u00a0Preset categories<\/li>\n\n\n\n<li>07:17\u00a0Set up YouTube render<\/li>\n\n\n\n<li>12:28\u00a0Create dailies<\/li>\n\n\n\n<li>15:27\u00a0Apply data burn-in<\/li>\n\n\n\n<li>20:55\u00a0Additional job setup controls<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">If you like Daria\u2019s clear and concise delivery style then you should definitely&nbsp;<a href=\"https:\/\/www.youtube.com\/channel\/UC0xNsrzO-7vnWuCKwqgw2ng\" target=\"_blank\" rel=\"noopener noreferrer\">check out her YouTube channel, Goat\u2019s Eye View<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 -  Delivering Content\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/7w5wF7JWXGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">At just shy of 2 hours, this tutorial from Daria O. Fissoun walks you through everything you need to know to achieve your first colour grade in DaVinci Resolve, including reading scopes, adding power windows and ensuring your grade not only looks good, but also matches across the entire scene.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You can&nbsp;<a href=\"http:\/\/bmd.link\/RThRF3\" target=\"_blank\" rel=\"noopener noreferrer\">download the example project and practice media Daria is working with here.<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>00:14\u00a0Color page interface and navigation<\/li>\n\n\n\n<li>06:13\u00a0Understanding scopes<\/li>\n\n\n\n<li>08:29\u00a0Primary grade with color wheels<\/li>\n\n\n\n<li>29:24\u00a0Balance and create look with curves<\/li>\n\n\n\n<li>43:31\u00a0Organise stills in gallery<\/li>\n\n\n\n<li>46:43\u00a0Match clips for continuity<\/li>\n\n\n\n<li>58:42\u00a0Use flags to filter media<\/li>\n\n\n\n<li>01:02:40\u00a0Secondary grading with windows<\/li>\n\n\n\n<li>01:14:07\u00a0Keying with qualifier<\/li>\n\n\n\n<li>01:28:28\u00a0Node anatomy and node editor workflows<\/li>\n\n\n\n<li>01:43:16\u00a0Apply ResolveFX<\/li>\n\n\n\n<li>01:50:00\u00a0Copy grades across clips<\/li>\n\n\n\n<li>01:52:53\u00a0Export and import stills<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 - The Art of Color Grading\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/jo0YcNRlrNA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">For a further 30 minutes Daria provides an in-depth guide on to use the DaVinci Resolve Mini Panel when colour grading in DaVinci Resolve.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>00:09\u00a0Adjust luminance using rings<\/li>\n\n\n\n<li>01:17\u00a0Color correct and grade with trackballs<\/li>\n\n\n\n<li>02:51\u00a0Navigate timeline<\/li>\n\n\n\n<li>04:30\u00a0Trackball keys<\/li>\n\n\n\n<li>10:37\u00a0Use adjustment controls<\/li>\n\n\n\n<li>14:41\u00a0Switch between palettes<\/li>\n\n\n\n<li>16:46\u00a0Create looks with curves<\/li>\n\n\n\n<li>23:03\u00a0Apply window and perform tracking<\/li>\n\n\n\n<li>27:43\u00a0Secondary selection with qualifier<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 -  DaVinci Resolve Mini Panel\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/97jufpRBdvc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the next two videos,&nbsp;<a href=\"http:\/\/tomigaworks.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">editor and visual effects artist Tony Gallardo<\/a>&nbsp;delivers a solid introduction to using Fusion for visual effects and motion graphics work. You can&nbsp;<a href=\"https:\/\/twitter.com\/tomiga2?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">follow Tony on Twitter here<\/a>&nbsp;or check out his excellent&nbsp;<a href=\"https:\/\/www.youtube.com\/channel\/UCipLMPXrLt5ggS6L9oPwTOg\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube channel here.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An hour and a half over two videos Tony covers a lot of ground, which makes it an excellent watch for anyone looking to use Fusion properly for the first time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In&nbsp;<em>Fusion VFX and Graphics<\/em>, Tony demonstrates:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>00:32\u00a0Interface<\/li>\n\n\n\n<li>04:25\u00a0Understanding Nodes<\/li>\n\n\n\n<li>06:15\u00a0Organizing Nodes<\/li>\n\n\n\n<li>07:02\u00a0Adding Nodes<\/li>\n\n\n\n<li>10:27\u00a0Accessing Clips Inside Fusion Page<\/li>\n\n\n\n<li>12:00\u00a0Importing Media from Media Pool<\/li>\n\n\n\n<li>12:38\u00a0Understanding the Merge Node<\/li>\n\n\n\n<li>14:04\u00a0Merge Node Inputs<\/li>\n\n\n\n<li>14:56\u00a0Compositing with the Merge Node<\/li>\n\n\n\n<li>15:44\u00a0Adjusting Image Scale and Position<\/li>\n\n\n\n<li>16:25\u00a0Using the Inspector<\/li>\n\n\n\n<li>18:03\u00a0How Nodes Effect Each Other<\/li>\n\n\n\n<li>19:15\u00a0Effects Mask<\/li>\n\n\n\n<li>20:45\u00a0Building a Title<\/li>\n\n\n\n<li>21:27\u00a0Text Node<\/li>\n\n\n\n<li>24:40\u00a0Stylizing Text<\/li>\n\n\n\n<li>26:58\u00a0Animating with Keyframes<\/li>\n\n\n\n<li>30:30\u00a0Adjusting Keyframes with Keyframe Editor and Spline Editors<\/li>\n\n\n\n<li>34:04\u00a0Intro to Tracking<\/li>\n\n\n\n<li>36:00\u00a0Using Composite Modes<\/li>\n\n\n\n<li>37:40\u00a02D Tracker Node<\/li>\n\n\n\n<li>39:56\u00a0Compositing with the Tracker Node<\/li>\n\n\n\n<li>41:00\u00a0Creating a Travel Matte<\/li>\n\n\n\n<li>43:58\u00a0Intro to Green Screen Compositing<\/li>\n\n\n\n<li>44:16\u00a0Using Select Tool Shortcut<\/li>\n\n\n\n<li>46:25\u00a0Swapping Merge Node Inputs<\/li>\n\n\n\n<li>47:32\u00a0Renaming Nodes<\/li>\n\n\n\n<li>48:10\u00a0Organizing the Node Editor<\/li>\n\n\n\n<li>49:26\u00a0Group Nodes<\/li>\n\n\n\n<li>50:20\u00a0Underlay Nodes<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 -  Fusion VFX and Graphics\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/nWk6kY6wleU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In this follow up video Tony delivers an introduction to working in 3D in Fusion including creating animated 3D text with 3D particles as part of the final effect.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You can&nbsp;<a href=\"http:\/\/bmd.link\/hcPjmx\" target=\"_blank\" rel=\"noopener noreferrer\">download the example project and follow along media<\/a>&nbsp;from Blackmagic Design for this lesson.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>00:49\u00a0Generating 3D text<\/li>\n\n\n\n<li>02:13\u00a0Customising 3D materials<\/li>\n\n\n\n<li>10:15\u00a0Animating with a follower modifier<\/li>\n\n\n\n<li>13:18\u00a0Controlling a 3D camera<\/li>\n\n\n\n<li>18:24\u00a0Creating 3D particle systems<\/li>\n\n\n\n<li>26:23\u00a0Adding 2D effects to 3D graphics<\/li>\n\n\n\n<li>31:09\u00a0Designing atmospheric elements<\/li>\n\n\n\n<li>40:59\u00a0Branching 3D shapes and repurposing camera data<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 -  Fusion VFX in 3D\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/vU85RMbrPd4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Blackmagic Design\u2019s Mary Plummer delivers an extensive 140 minute two-part tutorial on using the Fairlight audio page in DaVinci Resolve. As far as I can remember this is probably the longest dedicated Fairlight tutorial for DaVinci Resolve that I\u2019ve seen online.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Given how important high quality sound design is to a finished project and how powerful the (developing) Fairlight integration is, it\u2019s well worth spending the time learning how to make the most of \u2018this part\u2019 of DaVinci Resolve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You can&nbsp;<a href=\"http:\/\/bmd.link\/oCMLuv\" target=\"_blank\" rel=\"noopener noreferrer\">download Mary\u2019s example project and practice media<\/a>&nbsp;from Blackmagic Design here.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>0:00\u00a0Introduction: Developing a Soundtrack<\/li>\n\n\n\n<li>0:25\u00a0Getting to know the Interface of DaVinci Resolve Fairlight<\/li>\n\n\n\n<li>3:22\u00a0Evaluating the edited scene<\/li>\n\n\n\n<li>5:47\u00a0Extending an audio clip<\/li>\n\n\n\n<li>6:21\u00a0Zoom controls<\/li>\n\n\n\n<li>8:28\u00a0Viewing the scene on the Edit page<\/li>\n\n\n\n<li>9:20\u00a0Balancing volume levels<\/li>\n\n\n\n<li>11:15\u00a0Using the Inspector \/ Using meters as a guide<\/li>\n\n\n\n<li>14:00\u00a0Working with fade handles and volume keyframes<\/li>\n\n\n\n<li>20:00\u00a0Customizing the interface<\/li>\n\n\n\n<li>21:17\u00a0Working with Timeline Markers<\/li>\n\n\n\n<li>21:25\u00a0Using the Markers Index<\/li>\n\n\n\n<li>23:00\u00a0Creating a Marker<\/li>\n\n\n\n<li>24:30\u00a0Previewing audio clips in the Media Pool<\/li>\n\n\n\n<li>26:35\u00a0Editing audio clips to the timeline<\/li>\n\n\n\n<li>27:05\u00a0Naming, coloring and moving a track<\/li>\n\n\n\n<li>30:05\u00a0Creating a new track<\/li>\n\n\n\n<li>32:32\u00a0Using video and audio scrollers in the timeline<\/li>\n\n\n\n<li>35:00\u00a0Working with Dialogue<\/li>\n\n\n\n<li>37:00\u00a0Recording Voiceover<\/li>\n\n\n\n<li>38:40\u00a0Disable \/Enable Clips<\/li>\n\n\n\n<li>39:38\u00a0Recording \/ patching tracks<\/li>\n\n\n\n<li>41:50\u00a0Using titles as a script prompt<\/li>\n\n\n\n<li>45:30\u00a0Working in Track Layers<\/li>\n\n\n\n<li>47:40\u00a0Moving and splitting clips in track layers<\/li>\n\n\n\n<li>48:49\u00a0Using the Range selection tool<\/li>\n\n\n\n<li>49:54\u00a0Moving layered audio clips in the timeline<\/li>\n\n\n\n<li>51:44\u00a0Dialogue Editing<\/li>\n\n\n\n<li>54:16\u00a0Moving clips to different tracks<\/li>\n\n\n\n<li>55:40\u00a0Cut and paste clips to new tracks<\/li>\n\n\n\n<li>57:48\u00a0Previewing the finished checkerboard edit<\/li>\n\n\n\n<li>59:10\u00a0Scrolling the timeline in fixed playhead mode<\/li>\n\n\n\n<li>1:00:00\u00a0Repairing dialogue clips<\/li>\n\n\n\n<li>1:00:29\u00a0Using the FairlightFX De-Hummer plugin<\/li>\n\n\n\n<li>1:02:22\u00a0Looped playback<\/li>\n\n\n\n<li>1:04:37\u00a0Cache audio effects in the timeline<\/li>\n\n\n\n<li>1:05:53\u00a0Replace dialogue with another take from the Media Pool<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 - Fairlight Audio Production Part 1\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/H9_t4jV72HQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In part 2 of her Fairlight audio tutorial Mary moves on to demonstrating how to mix and deliver your final sound track, including using various effects to polish the sound and managing the mix through bus assignments and sub-mixes.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>0:00\u00a0Introduction<\/li>\n\n\n\n<li>0:34\u00a0Balancing clip levels<\/li>\n\n\n\n<li>6:20\u00a0Adding keyframes to change levels within a clip<\/li>\n\n\n\n<li>7:00\u00a0Listen \/Play again shortcut<\/li>\n\n\n\n<li>8:25\u00a0Loop Playback<\/li>\n\n\n\n<li>14:28\u00a0Normalize audio levels<\/li>\n\n\n\n<li>16:20\u00a0Normalize multiple clips Relative \/ Independent<\/li>\n\n\n\n<li>17:14\u00a0Reducing sibilance with the De-esser plugin<\/li>\n\n\n\n<li>19:05\u00a0Exploring clip EQ and sweeping a bell curve<\/li>\n\n\n\n<li>21:15\u00a0Applying De-Esser Plugin<\/li>\n\n\n\n<li>24:00\u00a0Working with track Dynamics<\/li>\n\n\n\n<li>25:45\u00a0Using the Compressor<\/li>\n\n\n\n<li>32:37\u00a0Applying track EQ<\/li>\n\n\n\n<li>34:30\u00a0Using the Chorus FairlightFX Plugin<\/li>\n\n\n\n<li>37:00\u00a0Sound Design \u2013 Create a heart monitor sound effect<\/li>\n\n\n\n<li>38:46\u00a0Create a new timeline for the effect<\/li>\n\n\n\n<li>39:16\u00a0Create a stereo track<\/li>\n\n\n\n<li>39:36\u00a0Working with the Test Tone Settings (oscillator)<\/li>\n\n\n\n<li>40:20\u00a0Patch the system test tones for recording<\/li>\n\n\n\n<li>42:40\u00a0Pink noise levels in the track and loudness meters<\/li>\n\n\n\n<li>47:10\u00a0Changing pitch<\/li>\n\n\n\n<li>47:50\u00a0Bouncing the finished effect as a new clip<\/li>\n\n\n\n<li>51:55\u00a0Mixing like tracks into stems<\/li>\n\n\n\n<li>53:30\u00a0Creating new submix buses and mains<\/li>\n\n\n\n<li>55:35\u00a0Assigning tracks to buses<\/li>\n\n\n\n<li>58:05\u00a0Patching buses and mains in the Mixer<\/li>\n\n\n\n<li>58:58\u00a0Bouncing Mix to Track to create stems<\/li>\n\n\n\n<li>1:00:55\u00a0Finishing<\/li>\n\n\n\n<li>1:02:29\u00a0Track panning<\/li>\n\n\n\n<li>1:02:57\u00a0Link Group \/ Tracks<\/li>\n\n\n\n<li>1:05:45\u00a0Deliver Page \/Output settings<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DaVinci Resolve 15 -  Fairlight Audio Production Part 2\" width=\"1290\" height=\"726\" src=\"https:\/\/www.youtube.com\/embed\/fQ3pPhk7azI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>DaVinci Resolve is&nbsp;a beast of a program. In a few short years it\u2019s gone from a high-end colour grading hardware and software solution that was attainable only for top colorists working in expensive suites, to a free application anyone can download and use, on relatively affordable hardware. At the time of writing&nbsp;the latest update to [&hellip;]<\/p>","protected":false},"author":2,"featured_media":4710,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,35],"tags":[138,179,379],"class_list":["post-124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-reviews","tag-blackmagic-design","tag-davinci-resolve","tag-training"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/posts\/124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":1,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/posts\/124\/revisions"}],"predecessor-version":[{"id":5791,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/posts\/124\/revisions\/5791"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/media\/4710"}],"wp:attachment":[{"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/media?parent=124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/categories?post=124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/widezine.net\/zh_hk\/wp-json\/wp\/v2\/tags?post=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}